It was all so sweet and restful. Religion had never appealed to her before. The business-like service in the bare cold chapel where she had sat swinging her feet and yawning as a child had only repelled her. She could recall her father, aloof and awe-inspiring in his Sunday black, passing round the bag. Her mother, always veiled, sitting beside her, a thin, tall woman with passionate eyes and ever restless hands; the women mostly overdressed, and the sleek, prosperous men trying to look meek. At school and at Girton, chapel, which she had attended no oftener than she was obliged, had had about it the same atmosphere of chill compulsion. But here was poetry. She wondered if, after all, religion might not have its place in the world—in company with the other arts. It would be a pity for it to die out. There seemed nothing to take its place. All these lovely cathedrals, these dear little old churches, that for centuries had been the focus of men’s thoughts and aspirations. The harbour lights, illumining the troubled waters of their lives. What could be done with them? They could hardly be maintained out of the public funds as mere mementoes of the past. Besides, there were too many of them. The tax-payer would naturally grumble. As Town Halls, Assembly Rooms? The idea was unthinkable. It would be like a performance of Barnum’s Circus in the Coliseum at Rome. Yes, they would disappear. Though not, she was glad to think, in her time. In towns, the space would be required for other buildings. Here and there some gradually decaying specimen would be allowed to survive, taking its place with the feudal castles and walled cities of the Continent: the joy of the American tourist, the text-book of the antiquary. A pity! Yes, but then from the aesthetic point of view it was a pity that the groves of ancient Greece had ever been cut down and replanted with currant bushes, their altars scattered; that the stones of the temples of Isis should have come to be the shelter of the fisher of the Nile; and the corn wave in the wind above the buried shrines of Mexico. All these dead truths that from time to time had encumbered the living world. Each in its turn had had to be cleared away. “I’ve had such a funny letter from Flossie,” said Joan, “begging me almost with tears in her ink to come to her on Sunday evening to meet a ‘gentleman friend’ of hers, as she calls him, and give her my opinion of him. What on earth is she up to?”!

“I’ve had such a funny letter from Flossie,” said Joan, “begging me almost with tears in her ink to come to her on Sunday evening to meet a ‘gentleman friend’ of hers, as she calls him, and give her my opinion of him. What on earth is she up to?” Mary argued that England could and should keep out of it; but Greyson was convinced it would be impossible, not to say dishonourable: a sentiment that won the enthusiastic approval of the little drummer in Joan’s brain. He played “Rule Britannia” and “God Save the King,” the “Marseillaise” and the Russian National hymn, all at the same time. He would have included “Deutschland über Alles,” if Joan hadn’t made a supreme effort and stopped him. Evidently a sporting little devil. He took himself off into a corner after a time, where he played quietly to himself; and Joan was able to join in the conversation.

“It isn’t as terrible as you think,” she said. “Many men who have risen and taken a high place in the world were married to kind, good women unable to share their greatness. There was Shakespeare, you know, who married Anne Hathaway and had a clever daughter. She was just a nice, homely body a few years older than himself. And he seems to have been very fond of her; and was always running down to Stratford to be with her.” “No,” she answered. “I’ve seen all the horror and cruelty I want to for the rest of my life.” “Yes,” answered Joan. “One goes in for it more out of vanity, I’m afraid, than for any real purpose that it serves.”